Tag Archives: change

Changes …

I suppose I should have probably put this in the ‘Inane Thoughts’ category, but it really does have … something … to do with writing. Obviously, I’ve been making a lot of changes to this place recently, and I’ve been through a lot of changes in the past nine months or so as well.  I don’t really know how relevant any of that is. But the more I look back at old pieces, the more I’m starting to consider whether these changes in my life have actually been reflected in my writing.

I’ll start with style and tense, though, because to me, this is the most obvious change. Upon looking back at things written pre-2012 I’ve noticed mostly that it was almost impossible to tear me away from third person past tense. I wrote everything in third, I guess because it was comfortable, because it was what I had been used to reading and it was comfortable enough for me to write in.

Now, I just can’t stand it.

I don’t mean for this to be insulting to anyone who writes in third person past, because I don’t mean I hate this type of narration. I’m just not comfortable writing in it anymore. And for me, this is more than a little strange because it’s all I wrote in for nearly a decade. Like I said, it was comfortable. It was straightforward. I liked that as much as anything else.

Really, I couldn’t tell you what my issue with it is now. I feel slightly out of my comfort zone when I try to revert to it, not that I wouldn’t like to try, and as though there’s something missing. There’s a connection I’m not making because of the way I’m writing the story. And I start to consider how each story could have been so different if it was just written in a different way; I mean, there are some that probably wouldn’t have worked, but a number that would have, and these seem a little like missed opportunities to me. I also feel as though there’s something I’m not quite reaching or tapping into that I desperately want to, and that the narration is important in relation to this.

Anyway, self-indulgence over for the time being, I suppose what I’m really getting at is how much does narration and style really govern? As I’ve stated above, there are times when I feel as though the direction of an entire story hinges upon it. But then, are there novels that would remain almost the same regardless of how they’re told? I’ll use a very well-known example here; how different would the Harry Potter novels have been if they’d have been written in first person? Considering J.K. Rowling followed Harry for the most part (and yes, I did read these, even though they’re not my usual ‘bag’, but it was quite a while ago now, so the details are probably off anyway), how much would this have impacted the story? Then, on the other hand, we have a favourite of mine, American Psycho, which would not be the same novel if written from a different perspective, and there is no way around this. If Tim Price was telling the story, it would have been impossibly different. It probably wouldn’t have been titled American Psycho either, though, because in Price’s mind, Patrick Bateman doesn’t butcher women in his apartment. Price just doesn’t know anything about this. 

I digress (if only slightly). The easiest answer to the question would be that it depends entirely on the novel, and to some degree, it does, but I do think it also depends on the writer. There are certain hallmarks we come to associate with certain writers; so it’s not too far-fetched to guess that this is also the case from a more personal standpoint. Part of writing, in and of itself is, after all, establishing your own voice as a writer, as well as allowing your characters to establish theirs. I would guess that this has a little something to do with knowing yourself before getting to know anyone else; knowing yourself as a writer before getting to know the people you’re writing about. Because no matter which voice you use, it’s never entirely possible to shake the feeling that you’re still telling someone else’s story. You’re writing  about them, not  as them. (Oh, look, I switched into second for a while, there).

And I have to wonder, is this really anything more than drunken rambling?But it’s been bothering me for a while now. So I suppose I just had to get it out there.


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Just a quickie, here, I’ve decided to spice up my blog a little, redecorate some, so there’ll be a few changes over the next couple of days. These aren’t particularly huge changes, mainly just in the theme and layout, and even then, there’s not much difference.

So this is just a heads up; bear with me while I get to work, it’ll be over and done with soon.

Stay tuned for another book review and my candidates for the Versatile Blogger Awards!

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October 5, 2011 · 7:48 pm


Once again, this post is somewhat linked to the two prior to it, so it must be pretty clear by now that my thoughts are actually behaving somewhat coherently. That makes quite a change.

I don’t read many Young Adult novels, but for some reason, I’ve thought about it more often than once this week. Just this week. I don’t know if this is my brain’s way of telling me that I need to start toning down the things I write, or whether it is just born of the undeniable fact that I have yet to come up with a truly marketable idea. I’m nineteen. I wouldn’t say I’ve actually experienced anything remotely resembling adulthood just yet. Is it really time to start writing what I know?

I’ll bite. I avoid the risk of having hapless self-inserts in all of my stories by writing middle-aged males. It’s cheap and it doesn’t necessarily make for good reading material, not because there’s anything wrong with a middle-aged male lead, but because there’s a level of authenticity that is, quite simply, missing. It’s the Hollywood ideology of what it’s like to be turning forty, not what it’s really like … not that I’d know much about the latter, other than what I’ve observed. Not experienced.

Yet, my speed isn’t exactly writing sixteen-year-old girls filled with angst either. This is not a generalization of all YA Novels, just a generalization of myself. If I am truly to write what I know than the end result is not likely to be any more readable than if I wrote what I do not know. It would probably be more insufferable than most badly written fanfiction, and nobody wants to read that … or at least, nobody with a sound knowledge of the English language wants to read that.

So then, what about a horror story aimed at the 13 – 19-yer-old demographic? What could possibly go wrong there? Aside from the fact that if I give myself an inch of rope I’m likely to take a mile and damn, don’t I know it; the end result would probably be American Psycho: For Teens. The prospect of that alone is deeply unsettling as well as bizarre enough to make me want to contemplate it further before destroying any hope I might have had of sleeping tonight. I don’t think I’ll be taking that one any further.

Of course, my sure fire formula for success would be to write a supernatural teen romance. Aside from the fact that I can’t stand the idea of that so vehemently I might never write again, that’s a winning idea, isn’t it?

The bottom line is this: lots of drama, lots of conflict. I can’t resist the two. When omitting the fantasy violence, assassinations,  street fights, blood sports and premeditated murders, what is left is a lot of conflict between characters safely rooted in a somewhat ‘real’ environment (in some cases). Perhaps I need to strip away the veneer of depravity and start getting my message across in a different way. A constant theme is that everyone or everything has a dark side. Apparently, my writer self isn’t much about seeing the inherent good in people, and I won’t go into the reasons why this seems to manifest itself on the page, because it stands to reason that people, the people I’m writing, can show their worst side without having to use knives and guns.

Unfortunately, that teen demographic is still a long way off. We don’t want to go giving the young ones a warped world view now, do we?

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